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Gustav Klimt Unterach on Lake Atter (mk20) oil painting


Unterach on Lake Atter (mk20)
Painting ID::  22471
Gustav Klimt
Unterach on Lake Atter (mk20)
1915 Unterach am Attersee Oil on canvas,110 x 100 cm Rupertinum,Salzburg State Collections,Salzburg

   
   
     

Gustav Klimt Farm Garden with Crucifix (mk20) oil painting


Farm Garden with Crucifix (mk20)
Painting ID::  22472
Gustav Klimt
Farm Garden with Crucifix (mk20)
1911/12 Bauerngarten mit Kruzifix 1911/12 Oil on canvas,110 x 110 cm Destroyed by fire at Immendorf Palace in 1945

   
   
     

Gustav Klimt Poppy Field (mk20) oil painting


Poppy Field (mk20)
Painting ID::  22473
Gustav Klimt
Poppy Field (mk20)
1907 Mohnwiese Oil on canvas,110 x 110 Austrian Galery,Vienna

   
   
     

Gustav Klimt Garden Path with Chickens (mk20) oil painting


Garden Path with Chickens (mk20)
Painting ID::  22474
Gustav Klimt
Garden Path with Chickens (mk20)
1916 Gartenweg mit Huhnern Oil on canvas,110 x 110 cm Destroyed by fire at Immendorf Palace in 1945

   
   
     

Gustav Klimt Malcesine on Lake Garda (mk20) oil painting


Malcesine on Lake Garda (mk20)
Painting ID::  22475
Gustav Klimt
Malcesine on Lake Garda (mk20)
1913 Oil on canvas,110 x 110 cm Destroyed by fire at Immendorf Palace in 1945

   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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     | BORRASSA, Lluis | Johan Fredrik Krouthen | Jacopo Bassano |


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